Githa Hariharan
is a fairly well-known novelist who has won acclaim through her works and was
the recipient of the Commonwealth Writers Prize for Best First Book in 1993.
Hariharan was in Goa because she is currently the Visiting Research Professor
at the Goa University’s rather interesting Visiting Research Professor Programme (VRPP). The VRPP seeks to bring eminent figures in the fields of the
liberal arts, social and natural sciences, and other studies to the Goa University.
Even while this augments the exposure that students at the University enjoy,
this programme also takes the University itself outside of the confines of the
campus to various parts of Goa. Such has been the case of the course in
creating a graphic novel, held in the Government College of Arts in Sanquelim,
and the very many lectures that Gita Hariharan delivered in various parts of
our state. One of these, on 4th September 2015, was a lecture titled “Reading
the Nation through Short Fiction" at the International Centre Goa.
I was somewhat
stunned by the choice of the topic; ‘the nation’. Haven’t sixty-seven odd years
of Indian independence indicated that the project at forging the nation has
been an utter failure? Yes, there are people who would argue that the nation is
doing well. However, it is likely that these are not the people who have had to
pay for the fiction of the Indian nation, more often than not with their lives,
their broken and tortured bodies, and with experiences of exclusion and grinding
poverty. These six decades have been built over the protests of groups all
across the sub-continent, ranging from nationalists in Kashmir, Nagaland and
other locations, tribals in Central India, Sikhs in the Punjab. All of these
groups have been met with bloody violence and an Indian state machinery that
has often violated the law and notions of human rights to maintain the figment
of the nation. Then there are the daily violences suffered by persons who are
Dalit, Muslim, or more recently, but just as violently, Christian. Sixty seven
years of exclusion is what marks the history of the attempt to create an Indian
nation.
Hariharan’s
choice made sense when it turned out that the fiction she chose for this
particular lecture was that written by Saadat Hassan Manto. It made even more
sense, when it became obvious that from among Manto’s many works, Hariharan
chose those that dealt with the issue of partition of North India in 1947. It
made sense because Hariharan’s choice indicated that North India is the locus
of the imagination of the Indian nation. Any school student forced to read
history will know that the Indian national imagination has a North Indian
focus. The histories of peninsular India are awkwardly fitted into national
narratives, very often almost as an afterthought. Similarly, the histories of
locations beyond Bengal do not find space in these national histories. This
focus and these exclusions make it quite clear that the Indian national project
is a North Indian one. The nation is defined along North Indian lines, and the
rest of us who have been tagged into this nation, are expected to meekly follow
their leadership.
Hariharan’s
choice of the violence of Partition clarified another fact about the Indian
nation. The national project is not only about North India, it is also about
the fratricidal politics of the North Indian elite. Independent India was
imagined as a subcontinental empire ruled by brown sahibs. It was the fears of
the upper-caste Muslim elites of North India that they would be excluded in
this post-British India that gave rise to Pakistan. With the creation of
Pakistan, the already incipient project of creating a Hindu India began, even
under Nehruvian secularism, with renewed energy. The Indian national project
has always been a Hindu project, and it creates space for those non Hindu upper
castes who can snugly create Hindu histories for themselves.
While the choice
of the nation was sufficiently strange, what was even more perplexing was that
Hariharan chose to speak of the nation at exactly the time when the attempt to
craft the Indian nation is being given particularly vicious attention under the
premiership of Narendra Modi. To talk about the possibility of the Indian nation, especially at this point in time, is to in fact to mock the many minoritised groups within India. Rather than honestly recognise the exclusionary violence central to the project of the Indian national project, such discussions suggest that all that this project requires is a little tinkering to make it more palatable. Such suggestions ignore the fact that the problem lies not merely with the Modi government, but rather with the entire trajectory of Indian nationalism that has gotten us to these dangerous times.
It would have
been more appropriate if, rather than speaking about the nation, Hariharan had
chosen to speak about the construction of the Indian state. While these two
terms are often clubbed together, there is a world of a difference between
them. Nations do not naturally exist, they are imagined, often based on the imaginations
of a dominant group, and then enforced on the rest of the population. Seeking
to create a fraternal community national narratives almost never have space for
the realities of exclusion. The state, on the other hand, is about power. There
is no denial about this fact when talking about the construction of a state. However, the statal project is also is
about the binding of that power by law, and recognising that there can be no
ideal greater than the law when forging the state. The nation does not admit to
this restraint. It is above law, and this fact can explain why with the
horrifying growth of a shrill nationalism, the past few years has also seen the
casual violations of legislations as well as natural law.
We would do well
to recognise that the attempt to craft an Indian nation has failed and is an impossible
project. Rather, we should turn our attentions towards seeing if from this mess
of a nation, we can focus on crafting a just Indian state.
(A version of this post was first published on the O Heraldo on 2 Oct 2015)
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