Showing posts with label consumerism. Show all posts
Showing posts with label consumerism. Show all posts

Friday, October 31, 2014

The Moral Politics of Diwali



ek baras meiN ek baar hee jagti holi kee jwaala
  ek baar hee lagti baaji jalti deepoN kee maala
  duniya waaloN kintu kisi din aa madiraalay meiN dekho
  din meiN holi raat diwaali roz manaati madhushaala


 But once a year do the flames of Holi rise.
 But once is the dice rolled and the garlands of lamps lit.
 Yet, come to the tavern people of the world and behold,
 Where every day is Holi, a every night Diwali.

The verse above is extracted from the poem Madhushala penned by the celebrated Hindustani poet Harivansh Rai Bachchan. Drawing from the tropes of Islamic mysticism, while using the trope of alcohol, the tavern and worldly excess, the poem was in fact intended to be a mystical allusion to the exercise of finding truth in the world. 

Poor Bachchan, up in heaven, must probably be thanking his stars that he wrote the poem when he did, because he would have probably been at a loss to find the appropriate metaphors in a day and age when every day is treated as Holi and every night Diwali.

In an age of consumerist excess, especially in the urban world, we seem to have forgotten the meaning and the existence of the darkness of the night. The beauty of Diwali of yore was that the lamps that were lit could be read as an invitation to philosophical contemplation; a testament to the power of nature, the determination of the human being to overcome the challenges of nature, and an invitation to recognize that overwhelming nature made human existence itself bare.

Unfortunately, however, like so much of Hinduism, Diwali too is being held hostage by the forces of the Hindu right. I am referring in particular to a post from Dr.Subramanian Swamy that suggested that the pleas that Diwali be marked by a restrained use of fireworks was one more conspiracy against Hindus. His argument was that given that the larger amount of noxious gases are released by industries and automobiles, one should really not create a problem about the pollution caused by fireworks on a single day’s celebration.

As usual Swamy misses the point, that the point is not about the amount of pollution, but about the concentration of it in a single evening. If only the noise and smoke were restricted to a single evening though! Further, Swamy seems to not see that given the Diwali occurs just once a year, the fact of abjuring noise and smoke pollution would make a powerful symbol that would aid our tackling with other pollutions through the rest of the year.
 
Suggesting to some neighbours that we hold a Diwali celebration without fireworks, a neighbor responded “Diwali without fireworks is like Holi without colour or Christmas without Santa!” I was struck by the comment since, as Bachchan observed in his poem, Diwali was originally about the strings of lights, not of noise. What made her response odd was that Santa Claus can hardly be seen as integral to Christmas. Indeed, some Christians would argue that the problem is that the emphasis in our consumerist times has shifted from the infant Jesus to Santa Claus.

Given that this Christmas-is-about-Christ-not-Santa argument is often articulated by right-wing Christians, I am hesitant to endorse it totally. I endorse it only to the extent that despite the fact that Santa Claus is the tool through which Christmas has become more than just a Christian festival, it has also become the symbol of the consumerist excess that has demolished the potency of Christmas as a festival of hope and sharing.

A better example that one could give when arguing for a softer Diwali is that eschewing crackers would perhaps make it a more moral festival. It would assert celebrations that are based not on selfish pleasure and the assertion of privilege, but the assertion of a politics of justice. After all this is what the politics of Diwali is made out to be isn’t it? The politics of a just Diwali would be a politics that asserts that noisy crackers are a violence on those who are not bursting the crackers, those who are old and infirm. The abjuring of crackers would make a statement in favour of labour and against the perilous conditions, often endured by children, in which most crackers in India are produced.

The search for the morality in our celebrations of Diwali would perhaps also awaken us to the moral economy of the festival. This moral economy suggests that excess is best appreciated when it occurs as an aberration. A festival of lights loses relevance when our every night obliterates all form of natural darkness. A reference to nature would also suggest that it is against the background of nature that excess can be ideally judged. The moonless night (Amavasya) of the month of Kartik is held to be the darkest night of the year, and it against this darkness that the brave lights of Diwali shine forth. This could be argued to be the context of Diwali. Lose this context of darkness and one loses the meaning of the festival itself.

I have often thought that the lamps of Diwali offer a remarkable statement of bravery in the face of vulnerability, possibly from a recognition of the fact that those brave lights last only so long as their oil, and only as long the wind does not snuff them out. A shift of emphasis away from these oil (or wax) lamps, to electricity and noise shifts the emphasis away from resolute vulnerability to rude assertion. It is perhaps for this reason that members of the Hindu right would prefer that Diwali be celebrated with the violent assertions of noise and absolute assertion of masculine power over the softness of the autumn night.

Whichever way you choose to celebrate Diwali, however, Diwali Mubarak.

(A version of this post was first published in the O Heraldo dated 31 October 2014)

Wednesday, February 24, 2010

No Carnaval in Paradise: The impossibilities of Carnaval in a post-Christian world

There is a certain familiarity that Lisbon brings to the Goan visitor. The place is full of familiar names, figures and remembrances. In this context, a friend suggested that rather than think that it was Portuguese names that Goans bore, it was in fact Goan names that the Portuguese carried with them. Goa, in other words, is where Portugal originated.


Now this suggestion seems facile, ridiculous even. We would do well to remember though, that history is always an artifice, a construction of ideas, emphasizing some aspects rather than others, the direction of some flows, rather than others. Much writing and thinking, especially within Portugal, begins from the assertion of Portugal’s gift of culture to the world. Where there is talk of counterflows, the influence of the colonized is seen as only ornamental, superficial. The colonized has not really impacted on the famed continental Portuguese soul.


I am led to these ruminations by my thoughts this last Carnaval. Through the entire festival, I was possessed by a strange irritation; an irritation I just could not figure out. I was sure it had to do with my conviction that Carnaval is a tropical feast, and my being out of Goa and missing the passion with which Carnaval is celebrated in Goa. I argued in my last column that the Goan Carnval is now a brief and gaudy lament for a lost citizenship which is why we Goans are still so passionately celebrate it. It was after seeing my thoughts on paper, that it all came together, and I could place a finger on an alternate source of my irritation.


‘These silly Portuguese are not doing it right’ I kept thinking, holding Goan practice to be the model-type. And indeed why not, since as I will go on to argue, the Goan Carnaval continues to approximate the ideal of what Carnaval is supposed to be. The Portuguese Carnaval simply has ‘to suck’ as a Lisboeta friend put it, because it has largely lost any context that a Carnaval ought to have.


The hierarchy of the Goan Catholic Church may disapprove of it; and our last gasp of fun, before Lent may not quite be the spirit in which we ought to approach Lent. However, we must recognize that the fact that Lent is still taken fairly seriously provides a significant context for the Goan Carnaval. Even if we do not abstain during Lent, the Goan Catholic enters into a social context, not different from that experienced by the errant Muslim during Ramzaan. In not abstaining we recognize deep down, that it is we, the non-abstainers, who are the aberration. In the post-Christian society that Portugal has become, the absence of the tension of restraint that Lent provides to the periods of moral laxity and consumptive excess through the rest of the year, results in a Carnaval without an edge.


The Catholic faith in Portugal has been largely replaced by a more secular faith, that of the ceaseless worship of Mammon, through constant consumption and sensorial gratification. Ghalib perhaps captured it best in his couplet; ‘Hazaron qwahishein aisi ki har qwahish pe dum niklen; bahuth nikle merey armaan, phir bhi kum niklen’ (Thousands of desires, each worth dying for...many of them I have realized...yet I yearn for more...). My perspective is to be sure partial and biased. I am but a few months a Lisboeta, and live in close proximity to Bairro Alto, the veritable temple courtyard of Mammon in Lisbon. In this location, and to quote the Hindi poet Harivansh Rai Bachchan in his poem Madhushala, ‘Every day is Holi, and every night Diwali’.


Carnaval is necessarily a period of abandon, when we create a fleeting material paradise of plenty, to contrast with the daily deprivations we may suffer. As such, it is also a festival with stresses our relationship to the corporeal. When in this consumeristic world, every day is a Carnaval, and want is almost unknown, what sense in having a half week of Carnaval just once a year?


Portugal may be poor, its standards of living lower than in the rest of Europe, and yet, this is not the poverty of its not-so-distant past. It has, despite its grumbling, and it has to be said that the Portuguese lo-ove to grumble, settled comfortably into the Pax Europeana. This Pax is what Foucault has would have called governmentality. A situation where by and large our every material need is taken care off, or at least entertainment and distractions provided if it is not. Portugal’s needs may not be taken care of, but it definitely lives within a bureaucratic and consumeristic net where the edge of frustrated desires are blunted. The Goan Carnaval, as I laboured to indicate last week, is powered by the desire to incarnate a radically different citizenship from the one we currently inhere in. At Carnaval, we dance on the edge of that desire.


Goa, and indeed much of the world, lives outside of such a Pax. We may all be made of the same flesh and blood, but thanks to this Pax, this net of distraction, we realize our bodies (our corpus) in radically different ways from those in the European continent. It is perhaps a realization of this radical difference in corporeality, and the ensuing impossibility of Carnaval in Lisbon, that was at the basis of my irritation through Carnaval this year.

The time of Carnaval, and its relationship to the world, is an ideal. Once we are admitted into this reality, there is no new or old, authentic or pretender. When Portugal (or the colonizer) falls away from this ideal, it is indeed, Goa (or the colony) that becomes the model. The colony then, is where the metropole, can now originate from.

(A version of this column was first published in the Gomantak Times, 24 Feb 2010)

Credits

Image No.1 - Campo das Cebolas - Lisbon
http://www.trekearth.com/gallery/photo1087357.htm

Image No. 2 - Carnaval in Lisbon - 1907
http://xafarica.weblog.com.pt/arquivo/158121.html

Image No. 3 - The Fight Between Carnival and Lent - artwork by Pieter Bruegel
http://apor.wordpress.com/2009/02/20/%C2%ABdominica-ad-carne-levandas%C2%BB/

Image No.4 - Roman Triumph
http://eureferendum.blogspot.com/2008/02/new-roman-empire.html